Fonts

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tags
Language, Web Design

Notes on fonts and font design.

Cool Fonts

Prose

Didot:
‘Timeless elegance’; old and sophisticated.

Warnock
Powerful with a lot of glyphs. It’s an Adobe font and is probably expensive.

Trajan
based on roman typography!

Bembo
Revival of monotype. Graceful, stable and elegant! More subtle than a Didot.

Futura
A classic futuristic font. Can be seen in places like Ableton’s website.

Garamond
Both a legal font and an exceptionally legible one.

Caslon
Organic, beautiful style – check this one out!

Freight Sans
fun and cartoonish font feel.

Open Sans
The new sans font with a neutral, flat design.

Gill Snas
warm british, a bit tall, crisp lines

Gotham
New York signage lettering style.

Bodoni
luxe, aspirational look font. more compressed and exaggerated

Univers
‘the ultimate modernist font’ - incredibly legible, clean, and functiona

Nagasaki
bold, condensed font for a large impact. looks very good in yellow, see poster

Monospace

• source code pro
• jet brains mono
• pragmata pro
• dank mono
• victor mono
• menlo
• consolas
• roboto mono
• adore64
• hermit light
• opendyslexic mono
• cascadia code pl
• source code pro with emacs hasklig mode

Vocabulary

Design

Motion Design
Text in motion carefully chose to make text readable in videos and other animations. This text isn’t visible all the time; rather, it’s moving quickly and likely flashes past during a video.

Variable Fonts
One or more axes that provide variation between different extremes of typeface design. These fonts allow for finer control over the design as it changes across the design space! A font can often be installed as regular, bold or both, and extended designs are expressed nicely. Formally, this is a specification that allows for multiple fonts to be packaged in a single file.

typeface
A particular design of type. A single group of fonts; a set of fonts in the same style, or ‘font family’.

font
An instance of a typeface; a single weight of style within a typeface family.

Type

baseline
The line on which type sits.

height
THe distance from baseline to the top of the lowercase letters, disregarding tall letters such as h.

cap height
The distance between a capital letter and baseline.

ascenders
The stem above lowercase letters that extends above the alloted height.

descenders
Letters that extend below the baseline.

stem
The main stroke of the letter (usually vertical).

tail
Descending, decorative stroke on letters such as y and q.

serif
The flair extending off of the edge of letters. Defines a ‘font family’ (serif vs sans serif).

counter
The enclosed space within letters like o and g.

ear
The small extension on lower half of the letter g.

terminal
The end of a stroke without a serif.

aperture
Partially closed negative space in characters like c, s, and n. This is always rounded.

bowl
The curved part of the character enclosing the circular or curved parts of letters. This occurs in letters like o, d and b.

kerning
Adjusting the space between individual characters.

tracking
The spacing of a group of characters.

alignment
text should probably be left aligned

justifying text
adding a straight edge to text on boht sides

measure
length of lines of text in a paragraph of column (column width)

Leading
Vertical line spacing. generating sufficient space between lines to make it readable

Ligatures
Fusing characters that are next to one another that look very similar. These characters may look awkward when next to one another if they aren’t fused.

Hyphenation
Breaking a word across a line and separating it with a dash; a technique typically used to prevent rag problems.

hyphen
short dash ‘-‘. used to divide words that break at the end of the line or to connect parts of co mpound words such as ‘ill-fated’. these are used to represent relationships between individuals rather th an separating them.En-dash : slightly longer hthan the hyphe. used to indicate a range of values, such as a span of time or numerical quantities. sometimes the em-dash is used instead of the en-dash for aesthetic reasons, or a sm all amount of space is added befoer or after the dash for artistic purposes.Em-dash : longer than that!the em-dash is typically used to indicate a break in thought, and is normally followed with and preceded by space. It can be used to describe a thought within a sentence as well – case in point!grid : guide by which graphic designers can organize, copy and add images in a flexible way while making the concepts easy to absorb and understand.

Rag
The uneven vertical edge of a block of type – most commonly the right-hand edge. if the rag is not clean, it can be very distracting to the eye; this can be fixed by reworking the line breaks or by editing a copy.

Widow
A single word or short line left at the end of a column. This is considered bad typography.

Orphan
A line exists at the top of the following column! This can be fixed just like the rag, by reworking the line breaks or editing the copy to remove these typography misdeeds.

History

printing press
Used a font based on blackletter, similar ot the font traditionally used with handwritten material. This wasn’t good for printing. Roman type was created to solve this problem. First, Jenson, but the most recognizable roman font is Cambria.

Italics

created to save space and money when printing books and long form texts.paved road for old style, transitional style and modern styles of typing.

Caslon

created ‘old style’ or ‘Antiqua’ of type : old style typefaces have thick serifs, low contrast. these are typically created from 1470 to 1600.

Transitional typefaces

thin serifs with high contrasts between these types. Baskerville is one such font (which was created as an improvement to the caslon typeface!

Modern style

very thin serifs with extreme contrast between strokes. created to reject traditional styles, annoyed with typefaces based on handwriting! Modern style initiated by Firmin Didot and Giambatista Bodoni ; Firmin Didot created modern style classification type, Didot, followed by the Bodoni typefaces

William Caslon IV

sans serif typefaces – no projecting featues at the end of strokes! Helvetica : known as the favorite typeface, one of the most populat. variations on this include slab serifs and gemoetric sans. slab : magazines, newspaper headers; geometric : based on simple geometric shapes.

Susan Kare - great apple designer!

She did Chicago, a neat pixel sans-serif typeface – this could be cool to use, as well as Monaco - (kind of boring). Geneva is the third typeface; it’s inspired by helvetica and is a neo-grotesque typeface, a realist typeface including basic ligatures, long s and r rotunda as optionals. bitmap fonts are very cool and I should look into using them! realist ~=grotesquemore reading (TODO):: https://en.wikipedia.org/wiki/Sans-serif#GrotesqueCreative